2.1 Welcome To Briarcliff In the wake of the successful and highly entertaining first season, which featured the Harmon family in a haunted house populated by souls both friendly and evil, creators Ryan Murphy and Brad Falchuk made a brave, wise decision. Rather than revisiting the first season and continuing that story, they decided to tell a new American Horror Story with completely different characters, a completely different setting, and a whole new sort of horror. Rather than finding some other kind of supernatural creature, this season of American Horror Story is hinting strongly that the horror isn’t from without, but from within. Alternately, it’s not ghosts that are the horror, but science gone horribly awry. And, apparently, some science fiction (or hallucinations thereof). But first, duelling story lines. The A-story, at least this week, is that of Briarcliff Sanitarium in the modern day. Formerly a tuberculosis hospital where dead people were lowered down a body chute dubbed the Death Chute, it was later turned into a sanitarium by the Catholic Church. Now, it’s a decrepit old ruin that is one of the most haunted places in America. Briarcliff seems to be the central point for both stories. The 1964 piece concerns the insane asylum itself, along with its sadistic head nun Sister Jude (Jessica Lange), high-minded director Monsignor Howard (Joseph Fiennes), experimental physician Doctor Arden (James Cromwell), and their various plots and intrigues balanced against the needs of the mental patients – some with real mental illnesses, some without real mental illnesses, and some on whom we are undecided. These include the accused murderer Bloody Face, aka Kit Walker (Evan Peters), nymphomaniac Shelly (Chloe Sevigny), the lovely Grace (Lizzy Brochere), and the hulking Spivey (Mark Conseulos). Complicating matters is the snooping reporter Lana Winters (Sarah Paulson), who wants nothing more than to get her hands on Bloody Face and really pick his brain; coincidentally, she’s not the only one. The 2012 setting concerns a couple known as The Lovers, Leo (Adam Levine of Maroon 5 fame) and Theresa (Jenna Dewan), who have spent their honeymoon traveling to haunted locations and having sex in them. While exploring Briarcliff, the couple run into a bit of trouble when something unexpected happens. There’s plenty going on this week, and the show is pushing to establish a lot of characters as soon as possible. The groundwork is laid pretty easily for Lange’s Sister Jude, who seems to be the major protagonist. Other characters, such as Rabe’s Sister Eunice and Cromwell’s Dr. Arden, get some supporting elements put in place, with plenty of room to expand and grow as needed. The patients, aside from Kit, don’t get as much time to shine, but they’ll fill out the bulk of this season’s story arcs I imagine, and the little hints of them the viewer receives in the first hour only serve to whet our collective appetites. The Lovers are still basically cyphers at this point, but the little we’ve found out about them thus far has proven to be awesome. The decision to bring back great actors from the first season (Jessica Lange, Evan Peters, Lily Rabe) and supplement them with even better supporting actors (Joseph Fiennes and James Cromwell) looks like it’s going to be a smart one. In spite of the troublesome Massachusetts/New England accents, the cast handles Tim Minear’s dialogue really well, and it seems like a great episode that sets several stages while still being an incredibly fun, strange, and entertaining hour of television. Read Ron’s review of the season one finale, Afterbirth, here. US Correspondent Ron Hogan is glad to see American Horror Story is back and as weird as ever. Cue the freaky opening montage! Find more by Ron daily at Shaktronics and PopFi. Follow our Twitter feed for faster news and bad jokes right here. And be our Facebook chum here.
