Arrow Season 6 Episode 6
Tonight’s episode of Arrow felt a bit perfunctory and low-stakes all around since Slade has stepped right into Malcolm Merlyn’s story beats as the deadly dad whose motives you can never 100 percent trust. (Albeit a less murder-y one.) With the flashbacks to a post-Lian Yu Slade, many mentions of Mirakuru, and the generic Eastern European setting, this all feels a bit like retreading old ground. Diggle finally tells his goddamn wife about the enormous, dangerous lie he’s been keeping and has the nerve to try to downplay it while assuming she’ll just make ARGUS cook him up a brand new drug. Lyla’s return is a good reminder that it’s wicked weird for Dinah to be the only one who knows this secret. Man, I really hope she and John don’t get together. It takes the threat of losing his supply of an illicit steroid that controls his tremors for Diggle to come clean, but for some reason the team forgives him immediately, and without realizing Dinah was in on it before them. Lyla’s reaction seemed more in-character, and Oliver and Felicity are still unaware, so perhaps it will only be those closest to Diggle who respond appropriately to his deception. Or perhaps whoever wears the hood is given a pass to be kind of a dick, and they’re all just relieved he’s less secretive and mean than Oliver. There’s still another secret lurking in the lair in the form of Dinah’s present from her now-villainous ex-partner. I’m hoping that when Diggle inevitably calls her out for this, she’ll throw his actions back in his face, forcing the rest of the team to contend with his secret yet again, and the fact that she both tried to make him come clean and kept his confidence when she failed. Because this is a superhero show, father-son stories abound, and they are laid on thick. Shots of Slade training his son are intercut with training his metaphorical son Oliver, just in case anyone missed the connection. There’s plenty of bitterness and love in both relationships, and Slade rather neatly fills the Malcolm Merlyn-sized hole within Oliver’s world, if not the John Barrowman-sized one in the Flarrowverse and our hearts. I was hoping for better set pieces for both Deathstroke and Oliver’s considerable skills beyond the bow, but the overly dark scenes everywhere other than the ASIS training facility makes the existing ones hard to fully appreciate. Slade’s fights with his son had the potential to be as electric as the ones between Slade and his protégé Oliver. The other thing that would elevate this storyline is Slade having to make a real choice between his son and Oliver, or his son and doing the right thing. The stakes never feel high, even when Slade has a blade in front of Oliver’s eye. Joe/Kane stalls a real decision by evading capture, but of course we’ll see him again soon. Here’s hoping that confrontation becomes a genuine conundrum instead of just an obvious choice. I’d also love to see more attempts at artistic shots like Slade’s steam-filled exit, even if it was a bit cliché. Slade’s son vows to ruin Oliver’s kid’s life, which is also rather cold considering William is a child, even if Joe doesn’t necessarily know that at the time. Still, Joe coming to Star City in an attempt to harm William, or perhaps his own newly unveiled mystery brother, will force Slade’s hand and really hammer home this whole “Cat’s in the Cradle” theme they have going on.
