The film opens with Conor bopping about in the back of a fancy car. Hip and happening music is playing, and the iconography of Las Vegas is spliced in between Conor’s in-transit dance moves. It feels like one of those little montage thingies they show before a sporting fixture. This sense, that you’re watching the preamble to an event rather than an actual feature film, recurs throughout Notorious. I’ll come back to that in a bit. Access is the film’s biggest strength, but also one of its weaknesses. Documentary-maker Gavin Fitzgerald captured some really sweet stuff during Conor’s development, and an unwavering depiction of his rise to prominence would be really engaging to watch. However, in Notorious, too much stuff is missing. We seem to jump, in the blink of an eye, from Conor’s first proper fight in Ireland to him being a UFC newcomer. We miss the life-changing days in the middle when he must have been approached, interviewed, and signed. Presumably, the UFC isn’t keen on letting cameras into those sorts of negotiations. The lack of coverage of this time period hacks away at the personal feel of the film, reducing the possibility of emotional engagement. Once Conor is in the UFC, the film’s central flaw begins to show. They’re trying to cram so much stuff in – from the earliest footage of Conor in the ring, right up to his recent boxing match with Floyd Mayweather – that nothing is given enough time to resonate. The film has a brisk 90-minute running time, yet it endeavours to squeeze in each of Conor’s major fights from the last four years. But, instead, the film cuts away from all of that stuff after a couple of seconds, because there’s always another fight to get to. The UFC has shared highlights from Conor’s biggest bouts with the Notorious team, and this footage is liberally doused all over the movie. These scenes do get the blood pumping, and watching Conor in the Octagon is incredibly engaging to watch. But it’s not particularly cinematic when you’re cutting in and out of a new fight every couple of minutes. With so much to fit in, Notorious just feels like a montage. The distracting electronic score pulses throughout, thrusting the viewer from scene to scene with little regard for storytelling or character inspection. Instead of doubling down on the intriguing introspective material – which teases the possibility of seeing Conor in a whole new light – Notorious embraces the tone and pacing of a pre-game preview. Conor McGregor: Notorious is in UK cinemas from November 1st.
