Damnation Episode 1
The series premiere of Damnation places us firmly in the world of John Steinbeck novels that were assigned in high school AP English class. I didn’t connect with the characters and storylines because they were far removed from my cultural perspective. I was born and raised in the fourth largest American city, and small towns have always felt quaint and tedious. Holden County, 1930s Iowa, I imagine a favorite pastime might’ve been watching the paint drying on a barn door. The rich and powerful always take or try to take advantage of the poor, downtrodden, and uneducated. This conflict is at the heart of the new series which feels all too familiar over the course of my life thus far with Republicans undermining their constituents and Americans in general. Why aren’t the wealthy ever satisfied with who they are and what they have? It’s no one’s birthright to control other people’s lives and wellbeing. Every generation needs its heroes and rebels to fight against the powerful elite. Enter Seth Davenport, a smooth-talking, charlatan preacher, and Emilia, his wife. Faith and religion are usually intertwined. The poorest of the poor and the richest alike can usually be manipulated because each has their own definition and expectation of God. This individuality sets the stage for both a personal and eternal struggle in groups of more than ten people. Since the beginning of time, believers have sacrificed animals and their offspring because they thought it would appease their deity. At our core, humans are selfish and petty beings given to fits of emotion and revenge. The more naïve among us become pawns in a greedy politician’s or industrialist’s scheme to amass infinite wealth and power. Sam Riley was tonight’s sacrificial lamb that united the striking farmers on the wrong end of an unscrupulous doctor who fancies himself a liberator. Residents aren’t who they seem to be. Few people are telling the truth, and most seem to have obvious and hidden agendas. No one is above reproach. I wasn’t fond of Creeley Turner, an illiterate villain due to the actor’s hackneyed performance. Christopher Heyerdahl plays yet another bad guy, reminiscent of The Swede from Hell on Wheels. I inevitably compared the two actors in a scene later in the episode. Successful villains needn’t be physically imposing, yet I was drawn to Mr. Heyerdahl’s sheriff in the town square for what was written as two villains sizing each other up.
