4.10 Drawing Straws Tom bickers with Anne about his inability to let anyone else be the hero, since Tom feels like he’s the most competent pilot even though Dingaan has thirteen hours’ flight time and I seem to vaguely remember Pope once had an airplane at his disposal. I doubt he’d have an airplane if he has no flying ability. Granted, I can see that Tom has a point about blind draws being a terrible way to assign duties, but he’s also not the person that should be undertaking this mission if only because Hal is the guy that built the bomb and Dingaan, Pope, or both are experienced pilots. As if that wasn’t enough, Ben, Hal, and Maggie continue to be a thing. They tease a reconciliation, then Hal goes to accept his brother’s apology about the time Maggie is ready to make out with Ben and use the spikes as an excuse. While this is a great place for Hal to be the bigger man, shrug off the possessiveness, and make a smirky joke about how Matt might marry her before all is said and done given what’s happened, it’s not enough to save what has been a dud plot. I like Maggie as a character, but I like her more when she’s not the girl tearing a family apart (unwitting though it is). I like Ben and Hal better when they’re shooting up aliens and not snapping back and forth at one another over Maggie. Josh Pate’s work in that scene feels real in a way that Pope’s scene with Weaver doesn’t, when Pope is sneaking Weaver and Mason’s names out of the sorting hat. Pope’s had a dead ex-wife and dead kids for ages at this point, he’s been a gang leader, a hero to the berserkers, a guy who basically had his own town in Charleston, and he was the kingpin of the ghetto. Are we to believe that one girl walks off on him and he’s suddenly ready to go on? Perhaps his world-weariness has been a cover for his actual weariness with the tormenting world around him, and it’s a great bit for Colin Cunningham as an actor, but it doesn’t feel quite right. The things director Adam Kane gets right this week are really well done. The beamer ship is a credit to the special effects crew, and ditto the scene in which the invading beamer force gets blown out of the sky by Lexi. Her dramatic return looks great too, as Lexi is the only person in camp who doesn’t look like she smells like body odour and malnutrition. Kane is able to deftly blend his special effects with his practical sets and actors in a way that ends up being fun. He cribs a bit from Scanners for Lexi’s destruction of her alien partner/parent, but that’s fine; stealing is always encouraged when it’s stealing from the best, and unlike an exploding head, this unlucky Espheni monk gets imploded into atomic dust. Read Ron’s review of the previous episode, Till Death Do Us Part, here. US Correspondent Ron Hogan wants more action and less Mason family feuding. He’s probably not the only one, given the attitudes of the folks in Camp Tom. Find more by Ron daily at Shaktronics and PopFi. Follow our Twitter feed for faster news and bad jokes right here. And be our Facebook chum here.
