2.9 Los Muertos To their credit, Fear The Walking Dead doesn’t delay the reveal as long as they did with the Abigail compound. No, Nick wakes up in the clinic, walks outside, and finds the town empty. From an overpass, he watches as one of the town’s people climbs onto a bus crashed through a fence, hops out the back of the bus, and offers himself up as food for zombies. That’s the wall, Luciana explains later, a wall of zombies that keep the town safe from both hordes and from the gang that controls Tijuana’s precious big box store and all the wonderful supplies inside. The one thing that the pharmacy colony has that the gang leaders don’t is Oxycontin. That’s a valuable trading tool in this world, where powerful opiates aren’t exactly growing on trees (at least not outside of Afghanistan, and I guess technically that’s more like a flower than a tree). One of the things Strand has said throughout this is that Nick’s skills were going to be useful, and it’s not just about his willingness to get his hands dirty (literally) or his skill at breaking and entering. Nick is used to dealing with dangerous people, so when the Tijuana gang that deals in water throw him to the ground and threaten to cut his arm off for stealing, he doesn’t panic. After all, he saw that one of the head gang members has a sister, and that sister is obviously a junkie—it takes one to know one—and he uses that to negotiate more favorable terms for the colony and to save his own skin. We catch up with Nick’s family and benefactor as they travel around, basically failing in their tasks. No Nick, no Travis, and worse still, no Abigail, as the ship has been boat-napped by, presumably, the people who were shooting at them when they jumped the border. So they do the next best thing and find a hotel to shack up in for awhile. Ofelia and Alicia go searching for food, and Maddie decides to tie one on and smash glasses while Strand bangs atonally on a piano. Unlike Alicia, who seems to be the eternal optimist, Maddie is finally losing her silver lining—kind of swapping places with her daughter, who was the forlorn one. I mean, it does make sense, and writer Alan Page does a good job of allowing the character to detail her frustrations without actually making a turn to camera and delivering a soliloquy. I do have my doubts that Strand would be relaxed enough to just… smack on a piano, but at the same time, it’s been a while since any of these people have had any booze, let alone a whole bottle of tequila. This is the second time she’s lost her husband, the infinite time that she’s lost her son, and Strand is dealing with both the death of his love and the loss of, well… his entire bug-out plan. It’s still early in the year, and the show is building things for later while still putting characters in peril. The inter-cutting between Maddie and Strand and Nick’s adventure in the Tijuana death cult was pretty clever; they’re both in a lot of trouble, just in very different ways. I’m not as impressed with how Alicia has been handled, as her last moment on the episode—looking confused into middle distance—doesn’t grab very well, but I’m a sucker for any scene in which people hide behind a bar while surrounded by zombies. It’s an effective enough cliffhanger, though I’m sure they’re going to find some way out of it as they can’t just kill Maddie and Strand both (Alicia, however…) Read Ron’s review of the previous episode, Grotesque, here. US Correspondent Ron Hogan spent many years staying in a hotel with balconies, and he’s always kind of thought about jumping off said balcony to the pool. Find more by Ron daily at Shaktronics and PopFi.
