4.5 First Of His Name It seems that no matter who is on screen this season, the episode is going to be good. A few minutes of Daenerys is very satisfying. Arya and the Hound hanging out by the fire can yield a wonderful example of physical acting. Brienne and Pod may be the most satisfying pairing the show’s had since Tyrion and Bronn (who are still awesome together). Aside from the notable exception of the controversial Jamie/Cersei scene from a couple of episodes ago, there hasn’t been much this season that hasn’t worked. Theon isn’t getting tortured, Dany has found her dragons and a purpose for living, and a lot of the criticisms the show has faced over the year have seemingly been toned down in favor of some great writing, acting, direction, and cinematography. One of the most eye-opening things about Game Of Thrones has been the performances. It’s a show that’s employed basically every actor in Great Britain who isn’t on Doctor Who or Sherlock (and some who are, in Mark Gatiss) but some of the best performances have been from characters played not by known actors like Aidan Gillen or Charles Dance, but from relatively unknown kids like Jack Gleeson, Sophie Turner, and, in this case, Maisie Williams. There’s a pretty famous viral video in which younger Maisie Williams shows off her hip-hop dancing skills in a pair of comically baggy pants, so it’s clear that she has some impressive control of her instrument. However, there’s a little moment this week, in which Arya practices her water dancing by a waterfall while the Hound watches and mocks. Her footwork is very impressive, as is her swordplay, and even if the Hound mocks Arya’s slender sword and the relative merits of Braavosi combat, it’s a really impressive feat to watch. The whole episode is full of clever character moments, not just for Arya and the Hound, but for pretty much everyone on the show. Jon Snow proves himself to be a real leader for the men of the Night’s Watch. Bran gets to turn a potential kidnapping into a cause for celebration by warging into Hodor and rescuing himself via brutal neck-snapping. Cersei and Margaery have another interesting conversation concerning the future of the kingdom (and Lena Headey is great both in this scene, in a confrontation with her father concerning the Lannister wealth, and in a later scene with Prince Oberyn). The royal coronation, in spite of its business and the clutter of the crowd scene, gives characters like Tywin or Maester Pycelle a chance to have little moments, like the way Pycelle is the first person to clap for the new king and the most simpering suck-up on the small council during the meet-and-greet. However, I think the biggest events were for so-called Littlefinger himself, Petyr Baelish, and his creepy new family with the returning Lysa Tully (Kate Dickie) and his new “nephew” Robin Arryn (Lino Facioli), as well as his fake niece Sansa Stark. Talk about a family that makes the Lannisters look normal. David Benioff and D.B. Weiss give Lysa, Sansa, Robin, and Petyr a great deal to work with here, and Lysa’s return appearance is very welcome, and very disturbing, from the way she ‘announces’ her wedding to Littlefinger to her paranoia and threatening behaviour towards Sansa, her own niece, concerning her protectiveness towards her husband the erstwhile Lord of the Vale. Nice to see that Lysa hasn’t gotten any less crazy than the last time we saw her. Read Ron’s review of the previous episode, Oathkeeper, here. US Correspondent Ron Hogan didn’t even notice Tyrion wasn’t involved in this week’s episode at all, except for being a topic of conversation. Still, Lysa is back and crazier than ever. Find more by Ron daily at Shaktronics and PopFi. Follow our Twitter feed for faster news and bad jokes right here. And be our Facebook chum here.
