When this doesn’t work (in my opinion, the body-swapping back-to-back episodes are a good example of this) it really doesn’t work. It provides us with something clunky at best and truly dissonant at worst. That said, when the show pulls off the incremental evolutionary steps, they do so in a way that just sings. This week’s episode was a veritable choir of angels, to keep the whole singing metaphor going. An aside regarding Dwight’s absence: The show’s cast has gotten out of hand. When you think Haven you don’t think ensemble drama. At this stage in the game you go to the primary triad of Audrey, Nathan, and Duke. The show doesn’t seem to understand that, or if they do, they don’t accept that. They foist other players on us from week to week. But if you’ve got to remove characters from an episode in order to move your storytelling forward, your actual ensemble is making itself known whether you want them to or not. I’ve said previously that the show is at its best when the season’s arc is supported by the weekly encounters with a Trouble. This week nailed that. A trouble that disconnects people from the land of the living, one that Nathan falls victim to right when he gets Audrey back and discovers that he can no longer feel her? That’s insightful and smart. It was a good way of separating the two of them, not just physically but emotionally. My only real issue with this week’s episode was the complete overlooking of Duke’s exhausted state. Previously he’s had to drain a Trouble every week in order to keep from imploding – that’s a consistency issue that ought to be addressed, unless they’re saving this up for another reveal or we’re meant to assume that the reincarnation Trouble was powerful enough to take the edge off for longer than usual. Like us on Facebook and follow us on Twitter for all news updates related to the world of geek. And Google+, if that’s your thing!
