2.6 The Seance Leading us towards those jolts was that well-used trope from horror films and television – the seance. Yet again, writers Steve Pemberton and Reece Shearsmith have carefully plundered cinema and television past for references the audience will recognise in order to set the action (and the ruse…) up quickly; the antique props used to call the spirits forward, the black-laced medium with milky white eyes, and a wide-eyed outsider drawn to speak to the dead. That these are just set-pieces for a hidden camera show called ‘Scaredy Cam’ is just the first bit of fun misdirection, tipping us right out of the familiar and into a more meta style of story. Even more intimidating and probably a lot crueller than the underworld is the television industry, and Seance Time gathered some frighteningly ghoulish characters from the ‘Summerland’ of cancelled TV to scare. More parasitic and dead of heart than Dracula (even Luke Evans’ recent version; even that) is Shearsmith’s fading TV host, Terry – one of that very specific brand of washed-up middle-aged television presenters from yesteryear. Most people can probably call to mind about a dozen of their ilk… but would cringe from naming them aloud in fear of bringing them into corporeal form, a la Candyman. Working with him on the show is Alice Lowe as Amanda, a make-up artist so deadened to the bitchery of the entertainment industry that she doesn’t baulk at removing expensive wigs and teeth from the newly (and actually) dead to save her props. Rounding out the cast of characters, and providing some of the best fun of the episode, is Alison Steadman as Anne, a luvvie stage actress (stooping to TV in between performances of Hedda Gabler) who gets to growl out some fantastically bitter and narcissistic lines – “Did you know, I was very nearly Marple. They said I wasn’t sweet enough – fuckers!” Read Phoebe’s review of the previous episode, Nana’s Party, here. Follow our Twitter feed for faster news and bad jokes right here. And be our Facebook chum here.
