As a diversion the show doesn’t open with the weird and wonderful happening, that’s held till after the credits. What we do get is a revisiting of the events of episode 10, where Mr Jones teleports himself out of a German high security prison. We then cut to Mr Jones, who is released from a decompression chamber, as predicted would be needed by Walter, but doesn’t look too well for the experience. It’s only now that the weird stuff is unleashed, when a news vendor gets a two-dollar bill that causes all his facial orifices to close, suffocating him. I’m usually fine with the effects in this show, but the way this is presented it looks just like make-up, sadly. Written where, and by whom? Fringe has prided itself on being obtuse, but at this point my heart sank that we would get another smoke and mirrors run-around. But I was wrong, so wrong. Walter examines the vendor, but that doesn’t tell is any more than we know already, but the Fringe writers have a real surprise ready to unleash. There’s some messing about with officious twit Sanford Harris at this point, where he won’t let her see him. This characters purpose isn’t working, and I really think they need to kill him off soon, please. An agent dies from the same chemical attack that killed the news vendor and Olivia gets to talk to Mr Jones at last. The objects he asked for are used to create a primitive jamming signal so they can talk in private, somewhat implausibly. Prior to this with Peter’s help they find a manuscript which details what Mr Jones and his followers believe, which fleshes out the bigger story. There are two dimensions; ours and another which is more technologically advanced. The ‘pattern’ is where people from the other dimension are entering ours, causing increasingly strange occurrences. The document predicts that now they’ve crossed only one of these dimensions can ultimately exist, theirs or ours.That’s great but what has it to do with Olivia? Mr Jones tells Olivia that’s she’s been recruited as a solider to fight this dimensional war, and that she’s been injected with a compound as a child to help her be that warrior, which she doesn’t really accept. He also tells her that he’s planted a bio-weapon bomb, and to stop it going off she needs to complete a test which he’s devised with a box of electronic lights. Olivia doesn’t buy it, so they decide to fake Mr Jones into believing she passes that test, which surprisingly he doesn’t buy either. I’ve left out plenty, but the crunch comes when Olivia finds the bio-bomb and discovers that it has the same rows of lights mechanism as the test she flunked, and the only way to deactivate it is to do it for real. She stops the bomb by turning the lights off, although she still doesn’t believe what tale Jones is telling or that it was actually her that did this. So far so good, but Fringe holds its best twists for the end. There is an excellent conversation between Astrid and Walter, where she compliments him on building a teleporter, even if it kills those it transports. His reply is chilling. “Kills you…it does something unthinkable… but it doesn’t kill you’. Eeeek!Cut to Olivia who has gone to see Jones in hospital, to discover that he’s left via a very large hole in the wall. What does the process do exactly? I think we need to know now! Phew. After a couple of less than stellar stories Fringe actually delivered some real surprises and came out from under its warm blanket of confusion, thankfully. I’m now really interested to see what happens next, whereas last week I wasn’t that bothered. Check out our review of episode 13 here.
