- Crossroads And Morales is no two-bit schmoe, either. He’s been built up by the show as full blown monstrous bad ass. A convicted rapist, fresh out of prison, at the weigh-in, he’s shown smoking on the scales, wildly brandishing a machete, and in a rather unlikely reference, quoting the Saddam Hussein character in Hot Shots! (“I will kill you until you die from it!”) All this is for naught in the fight, however. Morales starts well, unleashing his full repertoire of low blows, rabbit punches, and headbutts on poor Lights, leaving him looking tired, discombobulated, and out on his feet. Well, he managed to pass his eye exam with the simplest of trickery, coming up with a mnemonic to memorise the bottom line of the eye chart before the exam (said mnemonic being Fantastic Electric Light Orchestra Plays Zanzibar Daily, the ELO name check providing the second unlikely shout-out of the episode). I had assumed that Brennan would have just been called in to fix the exam, so this funny moment with the optometrist was a nice surprise. Another assist for Lights came in the unlikely form of archrival, Death Row Reynolds. Crossroads opened with Light’s archrival providing him with a dossier he has compiled on Morales (if that sounds vaguely ridiculous, that’s because it basically was), and imploring him to consider the rematch. Death Row showed up once more at the end of the fight to goad Lights into fighting once more, this time in front of an excited Barry K Word and the world’s media. This goes back to one of the central themes of Lights Out: why do people fight? As Theresa asked Lights in the previous episode, does he need to or want to? Lights confesses that it’s both, but Reynolds is demonstrating that they are both the same thing. He doesn’t have any material or professional need to fight again, but he needs to, just because he’s a born fighter. Just like Lights. His scenes with Lights in this episode are (intentionally, I think) reminiscent of the stories of Joe Frazier supporting and aiding Ali financially during his exile from boxing due to draft dodging. Another bonus for Lights was the presence of Theresa at the fight. After the first round, he shares a long, lingering look with his wife, which inspires him to man up and punch Morales in the nuts after the opening bell of the second round. Clearly, Johnny’s speech about ‘doing whatever it takes’ has finally sunk in to Light’s tender, fluid-ensconced brain. Theresa, for all her protestations, is revealed to be as enthralled as everyone else to Lights’ prowess inside the ring, and also more than a little turned on. Morales has barely hit the canvas before Lights and Theresa are enjoying a long overdue victory shag in a suite hired by the ever resourceful Johnny. On another Theresa note, there was a brief but incredibly jarring reference to her ‘family in England’. Clearly a line hastily inserted by the producers when they realised Catherine McCormack’s accent wasn’t quite working.) This scene is interesting. It could be that Pops is pushing Lights too hard and expects too much from him, as Brennan argued in a quick scene with Lights earlier in the episode. But it could be because Pops suspects that Lights’ victory wasn’t as well-earned as he believes it to be. Could Brennan have fixed the fight? There is a brief look between Morales and Brennan during the fight that suggests this might well be the case. If so, Lights’ honeymoon could be over a lot sooner than expected. Either way, things are set up for a barnstorming showdown with Reynolds in a few weeks time. Or, perhaps, even sooner. Follow Den Of Geek on Twitter right here.
