Toby Menzies’ continued powerfully strong performance and the brilliance of the writers who decided that exploring the six weeks after Claire’s departure from Frank’s perspective in 1945 was the way to go are the combined factors to blame for this alarming reversal that has me all being, “Jamie WHO?” What can I say? The course of true love never did run smooth, and the course of Frank and Claire’s love is rocky enough that I don’t even think it qualifies as a course. It’s more like the idea of one. Outlander has managed to perfectly encapsulated the quiet (and sometimes not so quiet) desperation Frank feels with Claire’s disappearance. Of course he’s frantic and upset and lost! Claire, frankly, hasn’t even had TIME to feel Frank’s loss. She’s been so caught up in the business of staying alive, unflogged, and unraped. The beautiful scene intercut between her racing to the stones and Frank racing there as well finally made me believe that Claire hadn’t just shrugged off Frank — she’d been in crisis mode. It’s only natural that taking a life would inspire her to reassess her situation and to try to return to the life — and man — she loves. This begs the question, will Jamie be able to win us AND Claire back? Sure, saving a woman from being raped is all well-and good, but it’s not exactly wooing a broad, is it? Jamie will have to be proactive to help Claire answer the question she set out for herself (IN THE TOTALLY UNNECESSARY, OUT OF PLACE AND PROLONGED VOICE OVER) — who, exactly, does she want to be, and who does she want to be with? Like us on Facebook and follow us on Twitter for all news updates related to the world of geek. And Google+, if that’s your thing!
