5.4 Thrown From The Ride Now I’m aware that there’ll be people who disagree with me, and have found these villain-free, largely action-free four hours boring and uneventful. For me though, a frustrated fan who has long grown tired of the repetitive A problem and the writers’ seeming inability to mask their make-it-up-as-we-go-along method, this is what I’ve been waiting for, and softens the blow of another three seasons considerably. I’m also aware that it’ll all go wrong in a few weeks time, maybe even next week, but I’ve learnt to appreciate what I can get. Starting with the biggest part of this upswing, Alison’s arc has managed to be more compelling, upsetting and intriguing than we could have hoped. The scenes between her and her father are the show’s secret weapons right now and have an honesty to them that is mostly missing from a lot of the show’s established relationships. It was also nice to see that the writers remember that sexual assault is a serious issue, and one that needs to be directly addressed every so often. And most of her experience is smartly left up to our imagination, with the kidnapping lie only adding to the mystery. We’re as clueless as the girls all over again, but this time in a way that’s not completely maddening, and we can only imagine what horrors Mona’s minions have in store for their old tormentor in the coming weeks. What they don’t realise, and what Paige recognises, is that Alison isn’t the enemy anymore – Mona and the rest of the hoodies are the villains of the story now, and what they’re doing isn’t self-defence, but war. The most exciting thing about season five is the absence of any smoke and mirrors – the episodes no longer have the ubiquitous A tags and Rosewood’s many threats are out in the open. We might find out that Shana was yet another red herring and A is just laying in wait, but it’s equally possible that Spencer’s monsters are indeed as real as ever, just no longer hiding under their beds. Mona is openly taunting the Liars, Ezra is on his way to being forgiven and Lucas and Paige are being sucked back into the game. The show has always been about obsession, but now we’re seeing that obsession being driven by guilt as much as it has been by vengeance. Aria has become obsessed with footage from Shana’s funeral, Emily admits doing something similar after the Nate incident, Ezra explains how he has come to terms with his own guilt over lying to Aria and, right at the end of the episode, we see Alison fixated on the wall of hate people have left in remembrance. This feels like a Pretty Little Liars with a conscience, with shades of grey and consequences to the things these characters have done and, despite those niggling problems, it’s a much better show for it. Read Caroline’s review of the previous episode, Surfing The Aftershocks, here. Follow our Twitter feed for faster news and bad jokes right here. And be our Facebook chum here.
