After last year saw Into The Storm bring back some Twister style antics to the big screen, so San Andreas plays out like a combination of 1974’s Earthquake and the Dennis Quaid’s fight against a slight chill in The Day After Tomorrow (minus the ropey CGI wolves). The central plot follows the simple quest for Johnson’s rescue pilot to retrieve his daughter and estranged wife from the tectonic terror, with occasional cutaways to Paul Giamatti’s earthquake expert who keeps us informed of exactly how bad things are about to get (he predicted this would happen, but like all B-movie scientists no one would listen). The film also succeeds in maintaining the pretty much non-stop action throughout the fairly lengthy 114 minute runtime, which I was sure would drag at various points. There are only minutes given over to plot and character development before some bigger and more explosive challenge presents itself. In an age where audiences are desensitised to CG effects, San Andreas is still able to rack up some thrills and quality visuals, such as a race against an ever sinking building, the ripple effect of the quake on such a vastly populated area and a simple, but effective parachute drop that gives a more tranquil view of the unfolding destruction. Of course at the heart of a film like San Andreas you need a strong hero to root for, and they don’t come much stronger than The former Rock. Dwayne Johnson’s effortless charisma, strength and smile usually account for a large part of his casting and for good reason, so it’s an interesting choice to make less of his physicality and focus more on his performance and emotionally frail side in San Andreas. In fact it’s the lack of more outlandish content that holds back San Andreas from rising above its status as a traditional disaster flick – both Volcano and Dante’s Peak kept a straight face while melting people from the feet upwards, or there was Twister’s infamous cow. It’s not as though Andreas lacks plenty of opportunity, especially as it’s directed by the same man (Brad Peyton) that gave us Sir Michael Caine riding a giant insect in Journey 2 The Mysterious Island. For example, Kylie Minogue pops up for all of two minutes for no good reason, only to vanish through a door with no building on the other side, but that particular sight isn’t shown taken advantage of as you assume it would be and nor is the pay-off punishment for one character especially satisfying after a lengthy build up. Most importantly though, San Andreas contains approximately no scenes of Steve Buscemi riding a giant nuke in space, so be warned. San Andreas is exactly the movie you’d expect, deserving affection for providing some good, old fashioned entertainment and thrills, surrounded by some immersive and spectacular 3D effects, which races from start to finish with barely a moments’ pause, it just can’t quite take the traditional confines of the genre to a new level and ironically feels a little safe a result. San Andreas is in UK cinemas now Follow our Twitter feed for faster news and bad jokes right here. And be our Facebook chum here.