3.22 De-Void When you think about it, it’s kind of amazing just how much ground Teen Wolf has covered in such a short time. They’ve packed a whole lot of stuff into 48 episodes, and it’s nice to see that Jeff Davis is willing to dig back into the past to mine fresh material for the show’s current situation. Indeed, the show reaches all the way back to the first season to remind the long-time loyal viewer that watching has its perks, and that Teen Wolf‘s rich cast of characters provides several opportunities for the actors to do some great work tonight. Indeed, after a confrontation with Noshiko Yukimura in the basement of Echo House, the next step in the nogitsune’s mission is to turn our heroes against one another. A united front is a difficult force to oppose, but a front fractured by infighting and old grudges is something much easier to navigate when you’re a creature that feeds off discord, chaos, and violence. The nogitsune, via an awesome cloud of CGI mind control flies, is able to create a great deal of chaos in the Teen Wolf camp, because there are a lot of festering conflicts between the characters just aching for exploitation. Kudos to Jeff Davis, who gets the screenwriting credit for tonight’s episode. It’s a brilliant piece of writing, and every character gets to do something meaningful. From background players like Danny and Peter Hale to languishing leftovers from the Alpha Pack plot, everyone is involved in the nogitsune story, and it all seems to work really well. There’s a lot of stuff happening at once, but the show does a really good job dividing its attention to all its characters, and having an actor like Dylan O’Brien at the core of the show to bring it all together in spectacular fashion just makes it all work that much better. Christian Taylor has a knack for crafting really creepy visuals. Given the dreamlike state that Lydia and Scott enter into when they use werewolf mind powers to sneak into the depths of Stiles’ mind, it’s only natural that the show gets a little weird, but the way he used used callback images to the show’s first season (Lydia at the prom, sneaking through deserted hallways, Scott and Allison making out in the closet) and third season (the massive white room where the kids went after freezing themselves to death and the Nemeton stump) was very impressive. Taylor also puts together some really good action sequences this week, especially the opening Mexican stand-off between Evil Stiles, Sheriff Stilinski, and Chris Argent. When Evil Stiles strikes, it’s a stunning display of ferocity and power, made all the more surprising by the fact that it’s Stiles beating up werewolves and hunters and professional killers. The latter scenes with Derek and Argent are also really well executed, and the Twins versus Isaac versus Kira and Allison scene from the school is a great example of how the show uses its shooting spaces to good effect, with the locker room feeling both claustrophobic and maze-like depending on how it was being shot. Three seasons in, Teen Wolf continues to be really impressive television, even to folks who are far outside the show’s demographic. It can be funny, scary, gory, and touching all within the same 52 minutes or so of screen time. It has been far, far better than it has had any right to be, and I’m really glad I paid attention to it when it first came on the air. Episodes like this, which embrace Teen Wolf‘s deep and satisfying universe, are greatly appreciated and show a cast and crew that’s as invested in the show’s mythology as the fans are (which hardly seems possible, since the fans are VERY invested). Read Ron’s review of the previous episode, The Fox And The Wolf, here. US Correspondent Ron Hogan also has a pretty strong gag reflex, so watching Stiles gag up a trash can full of old bandages was pretty horrifying. Find more by Ron daily at Shaktronics and PopFi. Follow our Twitter feed for faster news and bad jokes right here. And be our Facebook chum here.
