“Gina Zanetakos” sounds like a Bond girl, probably the one who betrays Bond and he has to kill her after they sleep together or something. She looks like one, too. And despite a really cool and claustrophobic elevator fight where she kicks Agent Ressler’s well-groomed ass, she isn’t all that menacing, her motives are unclear, and is handily the least memorable villain The Blacklist has offered up so far. And let’s not forget that this is the same show that gave us an episode with an evil humanitarian, so that’s saying something. It all started off so promising, too. With Elizabeth finally marching shady husband Tom downtown for some questioning, his innocent act (or IS it an act?), Reddington’s revelation that supposedly Tom and “Gina” have a romantic relationship…all for nothing. For the first time in what seems like forever we got some Harry Lennix/James Spader facetime, and in true Reddington style, he hints that he’s got some dirt on his old buddy Cooper. For a few minutes it looked like we were going to get into some nitty-gritty. Nope. The relationship between Elizabeth and Reddington and the mystery that surrounds it is now beyond artificial and forced. This has been the toughest thing to swallow since the pilot, but I accepted it as a necessary plot device and got on with the business of enjoying a network drama that isn’t exactly going to be Breaking Bad in the first place. But this nonsense of Elizabeth, in tears, confused, with nowhere else to turn, holding Red’s hand for comfort (literally playing into them) is just absolute horseshit. This doesn’t do either character any favors, and a little subtlety would do wonders for The Blacklist‘s credibility. Like us on Facebook and follow us on Twitter for all news updates related to the world of geek. And Google+, if that’s your thing!
