Then, life gets in the way. First, the couple postpones their marriage so that Violet’s sister Suzie (Alison Brie) can get married to her dopey paramour Alex (Chris Pratt, playing a great variant on the character he plays in Parks & Recreation). Then, the dream job to Berkeley never comes, but what does come is a letter inviting Violet to go east to Ann Arbor, Michigan, and join the staff of Winton Childs (Rhys Ifans) while getting her doctorate. It’s a perfect opportunity for Violet, and Tom doesn’t want to see her skip that, so off into the wilds of Middle America they go. The cast of The Five Year Engagement is very appealing. Emily Blunt is adorable and Jason Segel is familiar and comfortable in his role as the shaggy dog fiance. The cast of actors around them, from Chris Pratt and Alison Brie to Brian Posehn, Mindy Kaling, and Rhys Ifans are really good, and they actually kind of take the focus off our main couple. They’re much more lively than either Blunt or Segel, who we can’t really empathize with because a) we know they’ll probably end up together in the end due to the law of romantic comedy and b) they are just kind of bland and a bit whiny. Part of the problem of Five Year is that it’s at least 30 minutes too long. A two hour five minute dramedy is interminable, and so many of the middle segments could have been better served with a serious trimming as it goes from laughter to maudlin in the process. I get that we’re supposed to feel for these people, but there is about 45 minutes in the middle of the film when it just becomes an exercise in watching Jason Segel disintegrate (despite having some very good friends who would be a pretty good support group, if a strange one). It’s not exactly compelling, just depressing. It’s tough to root for a couple who really look like they shouldn’t stay together. If ever a movie was in dire need of scissors, it’s this one. I like the principles, I like the concept, I like the creative team, but it never quite pulls together. Like most of the Apatow crew, Segel and Stoller take a meandering approach to film making, rather than running lean and tight. That robs the movie of some of its comedic punch, but it’s still too funny to work as a character drama. The Five Year Engagement has its charms, but not enough of them. US Correspondent Ron Hogan thinks that a comedy shouldn’t go for longer than two hours or go longer than 30 minutes without a joke. Find more by Ron daily at Shaktronics and PopFi.
