Columbus (Jesse Eisenberg) is a very unlikely survivor of the zombie apocalypse. He’s not big and strong, he’s not terribly proficient with firearms, but he has one thing that’s helped him save his own skin: an incredibly neurotic list of rules that have allowed him to flourish in the wasteland that used to be the United States of America. Literally, in every situation, Columbus has a rule, and that’s what’s kept him alive when everyone else around him has dropped undead. When the two of them find themselves scammed out of their weapons and vehicle by Wichita (Emma Stone) and Little Rock (Abigail Breslin), they band together despite themselves to get their goods back. Along the way, though, the four of them bond. As the last survivors of humanity, it’s only natural to, you know, stick together and at least try to be friends. Their goal is an amusement park, rumored to be one of the last zombie-free places on the planet. Of course, there are twists and turns along the way, and sometimes rules are meant to be broken. Zombieland is a great, funny comedy that just happens to have zombies. If you’re not entertained by the interplay between Woody Harrelson’s world-weary zombie masher and, well, everyone else in the movie, you’ve got absolutely no sense of humor. The scenes with Harrelson and Eisenberg are particularly good, though there’s a brilliantly funny scene between Harrelson and the preteen Abigail Breslin that was hysterical. Eisenberg is also very good at holding up his end of the movie via narration, which is tougher than it looks. The script, by reality TV veterans Rhett Reese and Paul Wernick, is excellent. It’s a synthesis of known movie types (zombie, mismatched buddy, and coming-of-age), but it never feels cliché. The incredibly strong casting really helps in that regard, but the movie is funny when it’s supposed to be funny (in some places, brilliantly funny), gory when it can be gory, and legitimately suspenseful at times. The comedy element is what really made it work for me. Unlike a lot of other attempted horror comedies, this one is pretty evenly funny throughout, even when it revels in its brutality. Ruben Fleischer, despite having only some TV talk show work and documentary work to his credit, has put together a very well paced, fast movie. For a road movie, it moves pretty quickly from scene to scene, and displays a good sense of timing. There’s never any really dead moments, which is crucial in a shorter movie. I suppose that’s his TV work paying off; talk shows by nature have to move pretty quickly in case a segment falls flat, and Zombieland works much the same way. It moves from set piece to set piece, and hits a whole lot more than it misses. If you can stand some laughs with your zombies, or zombies with your comedy, then you’re in for a real treat. Zombieland isn’t quite as funny as The Hangover, but it’s definitely worth seeing. It’s a fresh take on a genre that was starting to get a little musty, crackling with humor and energy. If I sound like I’m gushing, it’s because I am; go see it ASAP. US correspondent Ron Hogan knows the rules of surviving a zombie outbreak. Do you? Find more by Ron at his blog, Subtle Bluntness and daily at Shaktronics and PopFi.